La Traviata by Giuseppe Verdi

La Traviata

by Giuseppe Verdi

Opera overview

“Libiamo, libiamo ne’ lieti calici” in honour of Giuseppe Verdi’s La Traviata, the world’s most performed opera, which is returning to the Arena with the last sumptuous 19th century production created by Franco Zeffirelli with the refined costumes of Maurizio Millenotti. In spite of an unfavourable destiny, Violetta and Alfredo will love each another from 2nd July to 1st September 2022 (a total of 8 performances) in the name of that sentiment that ”is the pulse/Of the whole universe/Mysterious and proud/Torture and delight to the heart!"

Conductor Marco Armiliato

Direction and set design Franco Zeffirelli

CostumesMaurizio Millenotti

Choreography Giuseppe Picone

First dancers Eleana Andreoudi (2, 9, 15, 22, 30/7), Ana Sofia Scheller (6, 20/8 – 1/9), Fernando Montano (2, 30/7), Alessandro Staiano (9, 15, 22/7), Matias Santos (6, 20/8 – 1/9)

Arena di Verona Orchestra, Chorus, Corps de Ballet and Technical team

Chorus Master Ulisse Trabacchin

Ballet coordinator Gaetano Petrosino

Location

Arena di Verona

Director

Marco Armiliato

Show type

Opera

Libretto

Francesco Maria Piave

Music

Giuseppe Verdi

Duration

3h 04min

Date

There are no more events scheduled for this show.

Cast

Conductor

Marco Armiliato

Direction and set design

Costumes

Choreographer

Lights

Chorus Master

Dance Company Coordinator

Gaetano Petrosino

Interpreters

Violetta Valéry

Nina Minasyan 02/07 09/07 15/07 30/07 20/08

Zuzana Marková 22/07

Lisette Oropesa 06/08

Aleksandra Kurzak 01/09

Flora Bervoix

Lilly Jørstad 02/07 09/07 15/07 22/07 30/07

Valeria Girardello 06/08 20/08 01/09

Annina

Francesca Maionchi 02/07 09/07 15/07 22/07

Yao Bohui 30/07 06/08 20/08 01/09

Alfredo Germont

Vittorio Grigòlo 02/07 09/07 30/07 06/08

Francesco Meli 15/07 22/07

Freddie De Tommaso 20/08 01/09

Giorgio Germont

Vladimir Stoyanov 02/07 09/07

Amartuvshin Enkhbat 15/07

Simone Piazzola 22/07 20/08

Ludovic Tézier 30/07 06/08

Luca Salsi 01/09

Gastone Visconte di Letorières

Carlo Bosi 02/07 09/07 15/07 22/07

Matteo Mezzaro 30/07 06/08 20/08 01/09

Il Barone Douphol

Nicolò Ceriani 02/07 09/07 15/07 22/07

Roberto Accurso 30/07 06/08 20/08 01/09

Il Marchese d’Obigny

Alessio Verna 02/07 09/07 15/07 22/07

Dario Giorgelè 30/07 06/08 20/08 01/09

Il Dottore Grenvil

Francesco Leone 02/07 09/07 15/07 22/07 30/07 06/08 20/08 01/09

Giuseppe

Max René Cosotti 02/07 09/07 15/07 22/07 30/07 06/08 20/08 01/09

Un Domestico di Flora/ Un Commissionario

Marco Malvaldi 02/07

Stefano Rinaldi Miliani 09/07 15/07 22/07 30/07 06/08 20/08 01/09

Principal dancer

Eleana Andreoudi 02/07 09/07 15/07 22/07 30/07

Ana Sophia Scheller 06/08 20/08 01/09

First dancer

Fernando Montano 02/07 30/07

Alessandro Staiano 09/07 15/07 22/07 20/08 01/09

Matias Santos 06/08

Plot ACT I

Six months later, Violetta and Alfred are living together in a house in the country outside Paris. One day, Annina, a servant, tells Alfred that Violetta has sold all her possessions to finance their new life. His pride hurt, he leaves for Paris in search of more money.

No sooner has he left than George Germont, Alfred’s father, arrives. He begs Violetta, to give up his son, speaking insolently, accusing her of ruining him. She defends herself well, showing him the receipts of sales of her possessions, adding that she has never asked Alfred for money. The man instantly changes tone. However, he pleads with her to leave Alfred because the engagement of his daughter risks being compromised by the scandal of this relationship, unacceptable in the bourgeois mentality. The verbal abuse becomes more subtle. Germont senses that Violetta feels a sense of guilt and takes advantage of her weakness. He knows which points to touch, he knows what to say and how to say it. And he keeps on going: not having contracted marriage, her prospects in old age are uncertain, he says. Violetta admits her error. She has asked forgiveness, it’s true; maybe God will forgive her, but man certainly won’t. At the end, she decides to sacrifice her personal happiness in order to restore happiness to Alfred’s family. She has only one request: that when she is dead, Alfred know of her sacrifice. Geront is profoundly moved by this and he promises to grant her wish.

Violetta writes Alfred a letter of farewell, telling him she no longer loves him. She is distraught, she cries and before leaving, lets out a scream of love. Alfred suddenly returns so she rushes out of the room, pretending to go into the garden. He is informed of his father’s visit during his absence and this worries him. Shortly afterwards, he reads the letter and learns that his love is returning to her past life in Paris. He is filled with jealousy and bitterness. His father consoles him and takes advantage of the situation, convincing him to return home. Alfred is beside himself; maybe he has a rival in love. He hastens to find Violetta to get revenge.

The same evening, Flora Bervoix has a party at her home. The din of the masked dances starkly contrasts with the protagonists’ feelings of solitude and anxiety. Alfred enters and immediately starts gambling, and winning. Violetta arrives, accompanied by Douphol. Alfred challenges the Baron at cards and repeatedly wins, at the same time provoking him by making allusions that hurt. Dinner is announced and everyone leaves the room.

Violetta comes back immediately. She has given Alfred a nod and he understands that she wants to talk. He comes in and listens, but it seems that dialogue is impossible: they are unable to communicate. They have hit a wall and she is forced to lie so as not to reveal the truth. She says she loves Douphol. On hearing this, Alfred loses control: in a fury of rage, he calls all the guests into the room and throws all his winnings at Violetta’s feet, asking the company to witness that in so doing, he has paid back the money she spent on him. Everyone is astounded by his lack of social aplomb. Violetta faints and Alfred is upbraided by his father for his heartless conduct. Alfred, contrite, is escorted out by his father, but only after he has been challenged in a duel by Douphol.

News

Roberto Bolle apre una settimana di stelle al 102° Festival il 22 e 23 luglio 2025

21 July 2025

Read the article

News

Cinque serate di opera dal 16 al 20 luglio 2025 con Aida, Nabucco, La Traviata, Carmen fra nuovi debutti e attesi ritorni

15 July 2025

Read the article

News

L'Arena di Verona Opera Festival entra nel vivo, quattro titoli in quattro giorni dal 10 luglio 2025

08 July 2025

Read the article

News

Fine settimana con le protagoniste dell'opera dal 4 luglio 2025 in Arena: Carmen, La Traviata e Aida

04 July 2025

Read the article

News

Dopo la prima sold-out de La Traviata, fine settimana con Nabucco e Aida per il weekend del 27-29 giugno 2025

26 June 2025

Read the article

Partner

Automotive Partner
Mobility Partner
Accessibility Partner
Media Partner

Official Partner

Step into the Stalls! For a limited time only, the price of the Stalls is the same as the seats on the steps. Get your tickets for Aida on 27 July and Carmen on 14 August now!

Chiudi