Marta Torbidoni

Torbidoni Marta

Soprano

Soprano Marta Torbidoni began her vocal studies under the guidance of Doriana Giuliodoro, graduating with top honours from the “G. B. Pergolesi” Conservatory in Fermo in 2008 and subsequently earning a Master's Degree in Musical Disciplines with full marks, honours, and a special mention. She furthered her studies with renowned artists such as Renata Scotto, Sylvia Sass, Giorgio Merighi, Giovanna Casolla, Valeria Esposito, Paolo Barbacini, Fabio Armiliato, Micaela Carosi, and Mirella Freni; she is currently studying with Mariella Devia.

She has distinguished herself in major international opera competitions: Spoleto (2014); “Accademia Puccini” (2015) and finalist at “Voci Verdiane” in Busseto; “Franco Enriquez” (2017); and the “Fortunino Award” (2025).

A leading interpreter of the Verdi and bel canto repertoire, she has established herself in numerous roles, including Aida, La Traviata, Anna Bolena, Rigoletto, I Puritani, I Masnadieri, Luisa Miller, Nabucco, Lucrezia Borgia, Attila, Il pirata, Roberto Devereux, Norma, Il Trovatore, Ernani, and Macbeth, collaborating with prestigious conductors such as Oren, Armiliato, Bignamini, Biondi, Steinberg, Abel, Spotti, Bisanti, Quatrini, Lanzillotta, Luisi, and Carella. She has performed at major opera houses including Teatro alla Scala in Milan, Teatro dell’Opera di Roma, Teatro Comunale di Bologna, Teatro Massimo in Palermo, Teatro Regio in Turin, Teatro Carlo Felice in Genoa, Teatro Donizetti in Bergamo, the Sferisterio in Macerata, the Arena di Verona, Teatro Colón in Buenos Aires, Theatro Municipal in São Paulo, Tenerife Opera House, Palau de la Música in Valencia, and the Gasteig Auditorium in Munich.

She made her debut in Aida at the Arena di Verona in 2024 and in Norma at Teatro alla Scala in 2025. During recent seasons, she has performed Creusa in Medea in Corinto at the Donizetti Festival in Bergamo; Nedda in Pagliacci in Sassari; Micaela in Carmen at Teatro Regio in Turin; Liù in Turandot at Teatro Regio in Parma; Rossini’s Stabat Mater in Cagliari; Die Fledermaus in Trieste; Il Paria in Warsaw with Europa Galante conducted by Fabio Biondi; Faccio’s Amleto and Don Giovanni at Teatro Filarmonico in Verona; Verdi’s Messa da Requiem at the Verdi Festival in Parma; and Suor Angelica and Il tabarro in Trieste and at Teatro Colón in Buenos Aires.