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«Celeste Aida, forma divina» e dell’Arena assoluta regina. Simbolo indiscusso del Festival Lirico dal 1913, l’opera di Giuseppe Verdi verrà proposta nell’anfiteatro per 14 date, dal 16 giugno all’8 settembre, in una nuova produzione tutta da scoprire.
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«Celeste Aida, forma divina» e dell’Arena assoluta regina. Simbolo indiscusso del Festival Lirico dal 1913, l’opera di Giuseppe Verdi verrà proposta nell’anfiteatro per 14 date, dal 16 giugno all’8 settembre, in una nuova produzione tutta da scoprire.
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«Va, pensiero, sull’ali dorate» e riaccendi il fuoco del primo capolavoro di Giuseppe Verdi, che torna in Arena per quattro date (dal 15 luglio al 17 agosto) nell’allestimento creato nel 1991 da Gianfranco de Bosio con la rigorosa scenografia immaginata da Rinaldo Olivieri e dominata da un’imponente Torre di Babele.
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«Va, pensiero, sull’ali dorate» e riaccendi il fuoco del primo capolavoro di Giuseppe Verdi, che torna in Arena per quattro date (dal 15 luglio al 17 agosto) nell’allestimento creato nel 1991 da Gianfranco de Bosio con la rigorosa scenografia immaginata da Rinaldo Olivieri e dominata da un’imponente Torre di Babele.
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«Va, pensiero, sull’ali dorate» e riaccendi il fuoco del primo capolavoro di Giuseppe Verdi, che torna in Arena per quattro date (dal 15 luglio al 17 agosto) nell’allestimento creato nel 1991 da Gianfranco de Bosio con la rigorosa scenografia immaginata da Rinaldo Olivieri e dominata da un’imponente Torre di Babele.
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«Un bel dì, vedremo» Madama Butterfly (la celebre “tragedia giapponese” di Giacomo Puccini) tornare in Arena nell’evocativo allestimento di Franco Zeffirelli, impreziosito dai costumi del Premio Oscar Emi Wada. O meglio, potremo ammirarla per quattro serate, dal 12 agosto al 7 settembre. Preparate il kimono… e i fazzoletti.
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«Celeste Aida, forma divina» e dell’Arena assoluta regina. Simbolo indiscusso del Festival Lirico dal 1913, l’opera di Giuseppe Verdi verrà proposta nell’anfiteatro per 14 date, dal 16 giugno all’8 settembre, in una nuova produzione tutta da scoprire.
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«Celeste Aida, forma divina» (Heavenly Aida, goddess of Beauty), and absolute Queen of the Arena. Undisputed symbol of the Opera Festival since 1913, this opera by Giuseppe Verdi will be staged at the Arena on 14 dates, between 16 June and 8 September, in a new production, waiting to be discovered.
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«Près des remparts de Séville» and in the heart of Verona, Franco Zeffirelli’s historical Carmen makes its comeback (23 June - 6 September), with costumes by Anna Anni and sets by El Camborio. Five shows to be captivated by the allure of a breathtaking Seville, and by Carmen, the rebel gypsy who chases freedom.
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«Largo al factotum della città» (Make way for the city's jack of all trades) and to the most famous comic opera by Gioachino Rossini: Il Barbiere di Siviglia, dedicated to cunning Figaro, Count Almaviva, vivacious Rosina, and surly Don Bartolo. Between 24 June and 22 July, four nights of guaranteed fun, thanks to Hugo de Ana’s pyrotechnic and floral set-up.
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«Sì, vendetta, tremenda vendetta!» (Yes, vendetta, a terrible vendetta!) The first opera of the so-called “popular trilogy” by Giuseppe Verdi, Rigoletto will be staged at the Arena from 1 July to 4 July. Four dates to (re)discover an absolute masterpiece of Italian melodrama, with airs such as «Caro nome», «Cortigiani, vil razza dannata» and «La donna è mobile»
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«Libiamo, libiamo ne’ lieti calici» (Let’s drink, let’s drink from this chalice of joy) in hour of Giuseppe Verdi’s La Traviata, the most performed opera in the world, which, for six nights (between 8 July and 9 September) will captivate the Arena, with the sumptuous 19th century production by Franco Zeffirelli, with costumes by Maurizio Millenotti and sets by Giuseppe Picone.
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«Va, pensiero, sull’ali dorate» (Take flight, thought, on golden wings) and rekindle the fire of Giuseppe Verdi’s first masterpiece, which will be back at the Arena on four nights (between 15 July and 17 August), with the set-up created in 1991 by Gianfranco de Bosio, and the massive set imagined by Rinaldo Olivieri, dominated by a giant Tower of Babel.
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Created in 2008, to bring ballet in unusual places, the Roberto Bolle & Friends Gala was first staged at the Arena in 2012, and, since then, it has remained a regular, beloved event to admire the stars of international ballet perform together with the Master of Ceremonies, Roberto Bolle.
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In the current galaxy of the Arena’s opera superstars, just one name was missing - tenor Juan Diego Flórez, the greatest contemporary interpreter of Rossini and bel canto’s repertoire. On 23 July, the Peruvian artist will finally be on the Arena’s stage, as the absolute star of an unmissable Gala in scenic form.
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«E lucevan le stelle»… (The stars were bright) and they will shine on the Arena from 29 July to 1 September, during the four stagings of the beloved Tosca by Giacomo Puccini, set in 19th century Rome, in the spectacular version created by Hugo de Ana.
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«Un bel dì, vedremo» (One fine day, we shall see) Madama Butterfly (the famous “Japanese tragedy” by Giacomo Puccini) come back to the Arena, in the suggestive set-up by Franco Zeffirelli, embellished by Oscar-winner Emi Wada’s costumes. Or rather, we will admire it on four nights, from 12 August to 7 September. Get your kimono... and your tissues ready.
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After the success of the Jonas Kaufmann Gala Event (2020) and Aida, which, in 2022, saw him in the role of Radamés, the German star (dubbed “the King of tenors”) will be back at the Arena on 20 August, for a new event night, during which he will interpret three different characters is as many opera acts, all in scenic form.
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If, in the second half of the 20th century, the Arena was called “Summer La Scala”, on the night of 31 August 2023, the Verona amphitheatre will host, for the first time ever, the Orchestra of the Teatro alla Scala, directed by Maestro Riccardo Chailly. A unique event combining the history of the two theatres, in the name of great classical music.
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